4.2.5: 1830 - 1910 - Co-operation


As far as we now know, the number of joint ventures in the nineteenth century between publishers was small. Only 2% of the more than 1000 titles that made up the publisher's list of Gebr. Diederichs in the period 1828-1865 consisted of joint publications. The list books of the Erven F. Bohn for the entire nineteenth century only mention about 15 instances of co-operation (total list circa 1200 titles), and the list of more than 1400 titles of A.W. Sijthoff for the period from 1851-1886 only contains 31 joint productions, among which 16 publications together with Frederik Muller of Amsterdam and J.H. de Lange of Deventer for the Maatschappij tot Nut van 't Algemeen (Society for Public Welfare). Most co-operation schemes were once-only, long-term co-operation occurring only for long-running series, expensive reference works, dictionaries and international enterprises.

For enterprises involving large amounts of capital, publishers sometimes chose a form of co-operation in which one of the partners acted towards the bookshops as the publisher and the names of the other partners were not mentioned in the imprint, although the partnership was occasionally mentioned on the title page. The print run was no longer divided among the partners, but the tasks of the production and distribution process were divided. An example of such a permanent partnership were the publishers and mutual friends A.W. Sijthoff, Martinus Nijhoff and D.A. Thieme. This co-operation was called 'het driemanschap' (the triumvirate) and, in the second half of the nineteenth century, they published a large number of editions and reprints of literary works, such as the Romantische werken (1867-1872) by Jacob van Lennep and expensive enterprises such as Van Dale's Woordenboeken (Dictionaries) and the first seventeen parts of the Woordenboek der Nederlandsche Taal (Dictionary of the Dutch Language). In the latter production, they also divided the work: the paper and the printing, the retailing abroad, the sales in the Netherlands, the main administration and the shipping. A division of work also took place for the publication of the Schoolbibliotheek (School library) series (1871-1875) where the publishers Sijthoff, D.A. Thieme and C.L. Brinkman spontaneously arrived at a co-operation when they were planning a similar publication in the same year. Sometimes publishers also co-operated in other fields. The publishers Gebr. Diederichs and C.G. Sulpke, for example, jointly bought at list auctions; they later published inexpensive reprints of some of these remainders.

Another motive for co-operation was the increase of sales outlet. Publishers who also wanted to sell their titles abroad sought contacts with foreign colleagues. This concerned works in the Dutch language, which could, for example, be sold in Belgium, original works, or translations about Dutch culture, language, literature, etc. Co-operation also took place in order to publish an edition in several languages.

In a contract between A.W. Sijthoff, the initiator, and J.P. van Dieren of Antwerp for a joint new edition of the works of Conscience, not only the period of joint copyright and the clauses concerning fees were laid down, but it was also stipulated that Sijthoff would undertake the sales in the Netherlands and Van Dieren those in Belgium. The six parts were published in 1867-1870 in a print-run of 8550 copies, 2250 for the account of Sijthoff and 5250 copies for the account of Van Dieren.

The publisher Gebr. Diederichs co-operated with, among others, their German colleague F.C.W. Vogel and the Librairie Belge in Brussels. The co-operation between the Erven F. Bohn and the German publisher Diesterweg in Frankfurt and the publisher G. Kolff & Co. in Batavia also illustrates the importance of co-operation with foreign colleagues in order to achieve a larger sales outlet.


author: Chantal Keijsper
 
 


Co-operation



xylographic printing

Definition: 1. printing process used in the 15th century for books in which text and image are cut out of a block of wood and are printed from that block;. 2. impression made according to this process.



printing houses

Definition: establishment or firm where books are printed.



art of printing

Definition: the art of reproducing written texts by means of movable type as it was applied for the first time in the middle of the 15th century in Europe.



printing on demand

Definition: printing publications on demand by means of a high-grade laser printer instead of a printing press. Makes it possible to produce small print runs at a relatively low price.



intaglio printing

Definition: printing technique whereby the image is cut or etched in the forme (plate or cylinder), inked and transferred to the paper by pressing it forcefully against the forme.



printing capacity

Definition: production capacity of a printing house or printing press, measured in the number of printed sheets per time unit



printing ink

Definition: sticky substance, containing pigment, used in printing the forme.



printing houses

Definition: establishment or undertaking where printing takes place.



printing- publishing houses

Definition: establishment of a printer-publisher.



printing establishment

Definition: 1. printing office. 2. general term for all establishments and institutions which play a role in the production of printed matter.



printing materials

Definition: collective term for all material needed in the production of printed matter, machines as well as tools and raw material.



printing presses

Definition: 1. general term for a device or machine for the printing of books, plates, etc. 2. the whole of the activities carried out in the printing and distribution of texts.



automatic printing presses

Definition: apparatus or machine for printing books, plates, etc., automatically operating, i. e. not driven by human power.



printing process

Definition: collective term for all activities necessary in the production of printed paper.



printing techniques

Definition: collective term for the various technical procedures (letterpress, intaglio, planographic printing, screen print, foil print) used to transfer or multiply text and/or image on to paper or other material.



printing sheets

Definition: the printed sheet as it is produced on the printing press, to distinguish it from a folding sheet.



letterpress printing

Definition: printing process whereby the inked parts of the forme are raised above the non-printing ones.



printing privileges

Definition: right for the protection of printers and publishers against the illegal reproduction of printed matter before the introduction of the modern copyright.



newspaper printing offices

Definition: office or company where newspapers are printed.



printing types

Definition: metal stick with on it the raised image of a letter, figure or symbol, with which printing can be done in relief.



collotype printing shops

Definition: printing shop where printed matter is produced by means of the collotype process.



music printing

Definition: printing musical works; generally executed with one of the following techniques: letterpress, lithography or photolithography.



copperplate printing

Definition: printing process in which a copperplate press is used.



rotary printing

Definition: printing process where use is made of a rotary press.



printing the white

Definition: 1. first printing of a sheet whereby the front is printed. 2. printed front of a sheet.



planographic printing

Definition: printing process with a flat forme (stone or metal plate) on which by a process involving chemicals the image to be printed holds the printing ink, while its surrounding area rejects it.



screen printing (1) screen print(2)

Definition: 1. printing technique whereby the ink is pressed by a squeegee through a fine-meshed textile or metal screen in which a stencil has been put. 2. print made by this procedure.